Bad Character Records singer Kalifah AgaNaga has taken aim at fellow musician A Pass, accusing him of frequently belittling other artistes instead of recognising their creative efforts.
During a live TikTok session, AgaNaga revisited A Pass’s reported criticism of the Nassanga remix, which features verses from Eddy Kenzo and Lil Pazzo.
A Pass had reportedly expressed disappointment with the two musicians’ delivery, particularly taking issue with Kenzo’s singing and use of English.

The remarks did not sit well with AgaNaga, who questioned why A Pass would dismiss Kenzo’s musical abilities despite the international recognition the Big Talent boss has earned throughout his career.
AgaNaga Challenges A Pass to Learn From Eddy Kenzo
AgaNaga argued that musicians who repeatedly question Kenzo’s abilities should consider learning from his experience rather than concentrating on criticising his style.
He challenged those who doubt Kenzo’s musical approach to seek advice from the singer and understand how he has built an award-winning career despite criticism.
His argument centred on Kenzo’s achievements, suggesting that international recognition should count for something when fellow artistes assess his contribution to music.

AgaNaga also rejected suggestions that he was seeking sympathy through his comments, maintaining that he had always relied on himself throughout his music journey.
AgaNaga Brings NUP and Bobi Wine Into the Dispute
The singer then turned his criticism towards A Pass, accusing him of being the one who seeks sympathy.
AgaNaga made claims about A Pass’s association with the National Unity Platform (NUP), its People Power movement and party president Robert Kyagulanyi, popularly known as Bobi Wine.
He alleged that A Pass turns to his political associations when facing criticism or receiving advice from others.
These remarks were AgaNaga’s personal allegations, and the supplied material does not include a response from A Pass.

Reflecting on his own career, AgaNaga said he invested his school fees in music and has had to fight for his place in the industry from the beginning.
His comments add to the growing public disagreement surrounding A Pass, following recent criticism from other musicians, including Yung Mulo, over his remarks about emerging artiste Warden Kartel.
The latest exchange also highlights a wider debate in Uganda’s music industry about artistic criticism, professional respect and whether established musicians should offer constructive guidance rather than publicly dismissing the work of their peers.
