There are feuds that simmer quietly. There are feuds that explode publicly. And then there are feuds that — according to one of the men allegedly involved — never quite existed the way the story got told.
King Saha wants Uganda to hear his version.
For months, whispers about a physical confrontation between him and Eddy Kenzo at a Uganda National Musicians Federation meeting kept the rumour mill spinning. The story painted a picture of two of Uganda’s prominent male artists unable to be in the same room without tension cracking through.
Then Master Parrot died. They showed up at the same burial. And what happened next nobody who believed the beef narrative was prepared for.
King Saha — born Mansoor Semanda — addressed the Kenzo situation in a recent interview with the kind of calm that tends to deflate drama faster than any denial.
He didn’t dodge the confrontation reports. He didn’t pretend the UNMF incident never happened. He simply reframed what it means.
“Eddy Kenzo is not my enemy. We only differ in ideology and opinion on certain matters.”
He pointed directly to what he described as evidence: the burial of veteran singer Master Parrot, held in Butembe, Kammengo, Mpigi District. Both men were present. Both men greeted each other. Both men embraced.
In full view of an industry that had been watching for signs of war, they gave them a hug instead.
King Saha’s explanation for why the beef narrative took hold is self-aware in a way that not many artists in his position would admit publicly.
“It’s only my approach when I’m talking about an issue that can make people think that I have trouble with someone, but I’m a very peaceful person.”
Translation: the delivery gets mistaken for the drama. The intensity in how he argues a point reads as hostility to people on the outside — but the man says there is no malice underneath it.
And then things got really interesting — because King Saha didn’t stop at the Kenzo story. He went straight into territory that had the whole industry talking: Eddy Kenzo’s recent public tribute to Bobi Wine.

For anyone needing the full picture — King Saha is one of Uganda’s most recognisable male vocalists, known for his sharp opinions and willingness to speak on industry matters with a directness that often lands him in headlines. His involvement in UNMF affairs has made him a regular presence in Uganda’s ongoing conversations about how the music industry organises and governs itself.
Eddy Kenzo, as UNMF president and one of Uganda’s most decorated artists internationally, occupies a position where every relationship he has — or is rumoured to have — gets scrutinised closely.
The confrontation reports, which suggested King Saha physically approached Kenzo during a federation meeting, were never formally confirmed or denied until now. They fed a narrative of a divided industry leadership at a time when UNMF’s internal dynamics were already under public discussion.
Master Parrot’s passing brought many of Uganda’s music figures together — and apparently gave two men the space to show the public something the rumour mill had been working hard to obscure.
The moment King Saha described him and Kenzo greeting and embracing at Master Parrot’s burial, the clip immediately began circulating.
Fans immediately noticed the symbolism — a funeral becoming the setting where a supposed beef got quietly buried alongside it. The internet found that detail impossible to ignore.
Comment sections lit up with reactions ranging from genuine relief to healthy scepticism, with many pointing out that public displays of unity don’t always reflect what happens in private. Others were more straightforward: if these two men can embrace at a burial, the story was probably exaggerated from the start.
The Bobi Wine mention added a second wave of engagement entirely — reigniting a separate but connected conversation about influence, legacy, and credit in Uganda’s music industry.
Some fans believe King Saha’s self-diagnosis — that his communication style creates the impression of conflict where none exists — is either genuinely insightful or a very smooth piece of reputation management. The jury in the comments is split.
Others are more focused on the Bobi Wine angle. King Saha’s endorsement of Kenzo’s tribute carries weight precisely because he and Kenzo are not perceived as allies. When someone who has reportedly clashed with you validates your public statement, it lands differently than support from a friend.
It is unclear whether Eddy Kenzo will respond publicly to King Saha’s comments, but sources close to the industry suggest the two are unlikely to turn this moment of visible peace into an ongoing public dialogue — at least not immediately.
Underneath all of it is something worth pausing on: these are men who care deeply about the same industry, hold strong opinions about how it should operate, and express those opinions in ways that sometimes look like war from the outside.
King Saha essentially said he argues with passion, not malice. That distinction gets lost every time a clip circulates without context. And in an industry where perceptions harden quickly and rarely get corrected, having the chance to stand at a colleague’s funeral and offer a genuine embrace is the kind of human moment that no interview can fully manufacture.
Master Parrot’s burial brought a lot of things to the surface. This was one of them.
Here is the quiet irony at the heart of this story: it took the death of a legend to publicly lay the King Saha and Kenzo beef to rest. Uganda’s music industry gathered to say goodbye to one of its own — and somewhere in the middle of that grief, two men who were supposed to be enemies held each other and gave the rumour machine nothing to work with. Sometimes a hug is the loudest statement in the room.
King Saha said his peace, defended Kenzo’s tribute to Bobi Wine, and walked away from this interview looking considerably more measured than the confrontation story ever gave him credit for. The question now is whether Uganda’s entertainment scene is ready to update the narrative.
Drop a comment — did you believe the King Saha and Eddy Kenzo beef was real, and does this change your mind?
