Every artist has that one song that feels different — not because it topped charts, but because it captured something personal.
For Ugandan singer Maro, that track exists quietly in his catalog, away from the biggest commercial spotlight.
And when asked to choose between his many releases, the singer didn’t hesitate to name a song that even some fans might have overlooked.
While appearing on Spark TV in a conversation with host Evelyn Mic, Maro was asked a simple but revealing question: after years in music, does he have a favorite song from his own catalog?
His answer opened a nostalgic window into his journey as an artist.
Maro revealed that one of the songs he holds closest to his heart is “Mpa Nkuwe,” a collaboration with fellow artist Beenie Gunter.
“I have many but some people don’t know them,” he said. “There’s a song I did with Beenie Gunter, it was one of my best songs. It’s called ‘Mpa Nkuwe.’ I liked the way I sang.”
That moment highlighted something many fans don’t often see — the emotional connection artists have with their work beyond commercial success.
For Maro, it wasn’t about charts or radio dominance.
It was about execution, feeling, and artistic satisfaction.
And that’s where things got more interesting.
Because while Mpa Nkuwe holds personal value for him, it’s not the song most fans would immediately associate with his success.
That title belongs to another track entirely.
Maro has built a steady and respected career in Uganda’s music industry, known for blending soulful vocals with culturally rooted sounds.
Over the years, he has released several tracks that helped shape his identity as an artist capable of crossing linguistic and stylistic boundaries.
But when it comes to mainstream recognition, one song stands out above the rest — “Biweewo.”
According to Maro, Biweewo remains the track that introduced him to a wider audience.
“It was the first Lusoga song that I made and it was played almost everywhere,” he explained.
That moment marked a turning point in his career, giving him visibility and helping establish his name in the industry.
It also laid the foundation for later successes, including tracks like Ono Kyokoba, which further expanded his reach.
In many ways, Biweewo wasn’t just a hit — it was a breakthrough.
Fans online quickly reacted to Maro’s reflections, especially his distinction between personal favorites and fan favorites.
Clips from the interview circulated across social media, with many users sharing nostalgic memories tied to Biweewo.
For some fans, the song marked their first introduction to Maro’s music.
For others, it represented a defining era in Ugandan Lusoga-language music gaining mainstream airplay.
At the same time, Mpa Nkuwe sparked curiosity among listeners who may not have revisited the track in years.
Within hours, discussions emerged about underrated songs in Maro’s catalog, with fans resharing older releases.
One fan commented: “Artists always have hidden gems we never pay attention to.”
Another wrote: “Mpa Nkuwe deserves more love honestly.”
The conversation quickly became a mix of nostalgia and rediscovery.
Some fans believe Maro’s comments highlight how artists often value songs differently from the public.
While audiences gravitate toward hits, creators often prioritize artistic expression, vocal performance, or emotional connection.
Others suggested that Mpa Nkuwe might gain renewed attention following the interview, especially among long-time fans of Ugandan music.
Meanwhile, younger listeners who discovered Maro through later releases expressed interest in exploring his earlier catalog.
The discussion also sparked broader conversations about how many great songs in African music history remain underrated despite strong artistic value.
Beyond the music charts and streaming numbers, Maro’s reflections reveal something deeply personal about artistic identity.
For many musicians, success is not always measured by popularity alone.
Sometimes, it’s about the songs that feel right — the ones where everything aligns creatively, even if the world doesn’t notice immediately.
And in that sense, Mpa Nkuwe represents fulfillment for Maro, while Biweewo represents impact.
Two different kinds of success — both equally meaningful.
Ironically, the song Maro personally cherishes most is not the one that made him widely known — while the song fans love most is the one that defined his breakthrough.
And somewhere between those two tracks lies the full story of his music journey.
One thing is clear — for Maro, music isn’t just about hits. It’s about moments, memories, and meaning that even time can’t erase.